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📣 “Extraordinary Machine”: The Heart, The Art, The Reveal

Black book cover mock-up with a large cream question mark and the title “Extraordinary Machine Cover Reveal”
This is just a teaser…but keep reading to see the real cover of Extraordinary Machine!

The Big (Stupid?) Idea: Do It All Myself

When I first started writing my memoir, I had this brilliant stupid idea: I was going to do everything myself. Yes, including the book cover.

I figured—why not? I had some basic Photoshop skills, a decent eye for design, and a working knowledge of Canva thanks to my Sims modding days. So I turned to AI and generated an image for the cover of Extraordinary Machine.

It wasn’t great.


Garbled Text and a Messy Heart

Mockup of book cover for Extraordinary Machine: A Memoir of Trauma and Resilience by Brittany Brown featuring a mechanical heart with gears, surrounded by flowers and greenery.
The original AI mockup of my concept for the Extraordinary Machine book cover.

While I loved the floral aesthetic and the concept: a mechanical heart surrounded by gears, the final image looked messy. And AI, at the time, wasn’t great at rendering readable text; it has actually improved in the months since then.

I spent two hours in Canva trying to make it work. But eventually, I had to face the truth: this wasn’t my lane. My lane is storytelling. I needed help from someone with artistic talent.


Finding Help: Enter Reedsy (and Avoiding Fiverr Fails)

I discovered Reedsy, a platform that connects writers with freelance professionals, including cover designers, editors, audiobook narrators, and more. The process is simple:

  • Write a pitch for your book
  • Choose five professionals whose work speaks to you
  • Wait and hope that at least one replies, fits your budget, and vibes with your vision

I also checked out Fiverr, but it was a no for me. While there are some legit artists on there, it’s also flooded with scammers and Canva bandits passing off stolen work. I literally saw someone using a Toni Morrison cover in their portfolio. Absolutely not.


Love at First Scroll: Finding Nick Low

Watercolor painting by Nick Low featuring a joyful Black woman in patterned clothing on a bicycle, set against a vibrant black-and-white geometric background
Artwork by Nick Low for YEVU Clothing’s 2021 fundraising campaign supporting LGBT+ Rights Ghana. Inspired by the photography of Joseph Abbey-Mensah.

On Reedsy, I found five artists I liked—but one stood out immediately. Nick Low, an American expat living in Sydney, just like me.

His art was stunning: vibrant, emotional, and rich with depictions of Black women and joy.

I hadn’t thought about it consciously before picking an illustrator. Still, I realised in that moment that it was meaningful to collaborate with a fellow person of colour on something as personal as my memoir about my life.

And I realised that even if Nick didn’t take the job, I still thought that I’d love to buy his artwork and hang it in my apartment.

I sent him my pitch. He replied within a few hours. He got it—all of it. The heart of the story, the symbolism of the mechanical heart, and the shared experience of being people of colour in Australia. His price was fair, and his energy was warm. Still, I did my due diligence and waited to hear from others.

Only one other artist from Reedsy replied and immediately talked down to me. While I was transparent about this being my first book, he was oddly condescending and treated me as if I were an idiot.

Nick, on the other hand, treated me like a creative equal.


Collaboration Magic: Building the Cover

Saying yes to Nick was one of the best decisions I’ve made so far on this self-publishing journey.

He was patient, kind, and intuitive. He never once made me feel foolish or inexperienced. We worked collaboratively; he created the initial mockups, and from there, we refined the design together through several iterations.

And then… the final version arrived.

I cried.


Why This Cover Means So Much

Writing Extraordinary Machine has been a painful, healing, raw, and empowering experience. It’s a memoir about my trauma, my mother, my Nana, and my becoming. There have been days when I’ve questioned everything, as recently as this weekend.

But one thing that has kept me going is the image in my head: me, holding this book in my hands.

That image got me through the hard chapters. And now, thanks to Nick’s incredible talent, that image is real.


Meet the Artist

Nick Low is a brilliant painter and illustrator!

Please support him and follow his work on Instagram at @NickLowPaints, visit his website here, or explore his Reedsy profile if you’re a creative looking for stunning artwork.

I can’t wait to fill my apartment with some of his art.


The Reveal: Extraordinary Machine Cover

Book cover of Extraordinary Machine by Brittany Brown, featuring a vibrant mechanical heart illustration on a dark green background
The official cover of Extraordinary Machine: A Memoir of Trauma and Resilience by Brittany Brown. Illustrated by Nick Low.

Final Thoughts: Let Yourself Be Helped

To my fellow writers, artists, and stubborn DIY-ers: you don’t have to do it all alone (I wrote more about this here: DIY vs. Outsourcing: What I’m Doing Myself for My Memoir (and What I’m Not)). Let those who are brilliant in their respective fields do their thing. You’ll end up with something better than you ever imagined, and you’ll make meaningful connections along the way.

This book is my heart. And now, it has a face.


Want to Follow the Journey?

Extraordinary Machine is still in progress—but the heart is beating and the story is coming to life.

If you want a front-row seat to the writing process, behind-the-scenes sneak peeks, or just want to cheer me on as I build this dream:

Follow me on Instagram and Threads at @brittanybrownwrites

Let’s make something extraordinary—together. 💛


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📖 Extraordinary Machine Excerpt: A Substitute Grandpa

Young Brittany Brown, smiling next to her step-grandfather Perry, sharing a rare joyful moment from childhood.
Perry and I. I didn’t always call him Grandpa, but this photo captures one of the first times he felt like family.

This excerpt is from my upcoming memoir, Extraordinary Machine: A Memoir of Trauma and Resilience.

While the memoir mainly focuses on my relationship with my mom, this chapter looks at a quieter, unexpected relationship that took time, awkward meals, and a shared dislike of peas to develop into something meaningful.

When my Nana (my grandmother on my mom’s side) married Perry, I wasn’t ready for him. He wasn’t Johnny, the warm grandpa I was used to. Perry was quiet and reserved and didn’t seem interested in the role I expected him to play. I wasn’t very excited about letting him into my life, either.

But as you’ll see in this excerpt, connections have a way of happening unexpectedly. Through small gestures, surprise laughter, and a surprise Goosebumps box set, Perry became more than Nana’s new husband—he became my grandpa.


A Substitute Grandpa

I initially hated my Grandpa Perry.

“I want Johnny!” I remember crying during my first overnight stays with them while they danced to soul music in the living room. It was one of the few times I saw them show affection.

From my perspective, Johnny had just disappeared. He wasn’t just anyone; he was Nana’s long-term boyfriend and the closest thing I’d ever had to a grandfather. I’d grown up with him, wrapped in his unconditional love and impossibly spoiled. So when I met Perry, and Nana told me she and Johnny had broken up, I felt blindsided. I was only seven, and either I was too young to understand the details, or Nana left them out entirely.

All I could think was, ‘What happened to my beloved Johnny, with his warm hugs and Gatorade? Why wasn’t he with us here? I hadn‘t even had a chance to say goodbye. And why had he been replaced with this beer-bellied, boring man who spent all his time glued to ESPN?

Perry never seemed to get over my first tearful outburst. So, he approached me carefully.

He seemed exhausted by the mere idea of me. His kids were around my mom’s age; one daughter lived in San Francisco with her partner and had no kids, and I think his son was estranged. He hadn’t been around a child my age outside of a classroom in years. He only knew how to connect with me when I got bored enough to flip through his old yearbooks. I’d sit at the kitchen table, pointing to random faces.

“Did you know this person?”

“Yes,” he’d grumble, barely looking up from the football game.

Eventually, though, we bonded—over Nana’s cooking, of all things. She was an incredible cook, but she had a habit of deciding the menu every night without consulting us. She’d always pile my plate high with peas, even though I hated them. She’d do the same to Perry despite him being a grown man and hating them, too.

“I said I didn’t want any peas,” he’d mumble, shifting them around on his plate.

“Well, too bad,” she’d matter-of-factly reply as she sat down to eat.

One night, I tried to hide my peas under my mashed potatoes. As I poked at my plate, I saw something soft hit the table. I looked up to see Perry doing the same thing: hiding his peas. One had escaped and rolled onto the table.

We locked eyes and laughed. Quietly at first, then uncontrollably. Nana looked up, her face brightening with a smile. “What are you two laughing about?”

“Nothing, right, Brittany?” Perry said, winking at me.

“Yeah, nothing,” I giggled back, pushing another pea under my potatoes.

Perry figured out that I loved to read. One Christmas, he surprised me by handing me a gift he had bought himself, not something Nana had purchased, and he had put his name on.

My hands trembled as I unwrapped the box, and then I saw it: the complete set of Goosebumps books. I held them like they were fragile, my fingers running over the colourful spines.

I glanced at Perry. He stood awkwardly by the dining room table, anxiously watching my reaction, his hands nervously stuffed in his jeans pockets.

I rushed towards him, enveloping him in a hug, wrapping my arms tightly around that beer belly I once hated. “Thank you, Perry,” I said sincerely, my eyes wet with tears of happiness.

It was the first time I hugged him. He hugged me back, hesitantly at first and then tighter.

Though he was retired, Perry occasionally worked as a substitute teacher. One morning, I walked into my third-grade classroom, and to my surprise, I saw him sitting behind the desk.

He winked at me; I winked back.

At recess, he pulled me aside. “I didn’t know I’d be in your class until this morning. Don’t tell anyone you know me. I don’t want them thinking I’m playing favourites.”

He still looked proud whenever I raised my hand to answer a question. After lunch, though, I overheard some girls giggling about him.

“He’s so boring,” one said. “I think he fell asleep during class!” another laughed.

My face burned. “Shut up,” I muttered.

“Why? He’s weird!”

“He’s not weird!” I yelled, tears streaming down my face, my hand balling into a fist at my side. “He’s my grandpa!”

So, the secret at school was out: my grandpa was our substitute teacher.

But, more significantly, it was the first time I’d referred to Perry as my grandpa.


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📖 Dating Memoir Excerpt: The Scent of Your Cologne

A lit candle glowing in the dark, surrounded by flowers.
A serene image of a candle glowing in the dark, surrounded by beautiful flowers, evoking a peaceful, calming atmosphere. Photo by stefzn on Unsplash.

This is an excerpt from my upcoming dating memoir. It does have a title, and I’m excited to reveal it soon 😉 For now, let’s call it my dating memoir.

I don’t consider myself a poet. Still, I wrote this free-thought the other day: I was reminiscing about one of my past relationships. It came out more flowy and lyrical than my typical prose. However, this gave me the idea to include little lyrical interludes between significant chapters!

I also wanted to share something a little softer than my recent excerpt from Extraordinary Machine. I’ll be posting more from that memoir soon, but I love the idea of showcasing different styles. I am also trying to hype up anticipation for both of my books 🥰

Here’s a lyric interlude about one of the past loves of my life:


Lyrical Interlude: The Scent of Your Cologne

I can still smell your cologne.

The way it burned my nostrils and smelled like home at the same time. The way you rolled up the sleeves of your cardigan, your light brown skin peppered with coarse, dark hair.

The sharpness of your jaw, the way you smiled, your crooked teeth—your whole face lighting up just for me.

The way you’d hold me so tightly when we hugged, pressing my chest against yours, squeezing me a little tighter before letting me go—like I was the most special person in the world.

The glint of the lamplight reflecting from your glasses. The way you’d subconsciously wipe your lips when you thought no one was looking. Did anyone notice that but me? The stubble on your chin when you hadn’t shaved for a few days. Your dark, mysterious eyes, the piercing stares I’d catch you giving me when you were lost in thought.

The memory of you feels so close and yet so far, a nearly tangible moment in time that I can never recapture, never replace. I loved you endlessly. I still crave your crooked-tooth smile, sharp jaw, stubble, your touch.

I can still remember the smell of your cologne.

Like you, it stung, but it felt like home.

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