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Tag: behind the process

🕯️Personal Reflection: I Am the Guide: Opening Every Door of My Life

Brittany Brown, Black author, seated among stacks of books, writing in a journal with a red feather quill, wearing a burgundy dress and white ruff collar.
Author Brittany Brown, photographed by Boris Frantskevich, pens her story in a creative portrait surrounded by books and literary inspiration.

Usually, I share a fresh excerpt from one of my memoirs on the first weekend of the month.

Today, I don’t have an excerpt to share.

Not for lack of content; I’ve written thousands of words I’m proud of, but because I haven’t opened Extraordinary Machine in Scrivener since March 22. This is hard for me to admit: I started the year on fire, pouring my heart onto hundreds of digital pages, but life has had other plans.

Instead of a polished excerpt, today I’m sharing what’s been going on, where I’ve been, and where I’m headed.


When I started writing Extraordinary Machine in January, I didn’t fully grasp what it would mean to relive and recount my childhood trauma. After one particularly gruelling weekend, when I wrote a chapter that left me feeling as terrified and paralysed as I was at four years old, I told my therapist I still wanted to continue.

Yes, I had re-traumatised myself, but once the words were down, I was able to ground myself, process, and remind myself that I was safe- that I could never be hurt in those same ways again. Writing about my relationship with my mother and my childhood was excruciating. But it felt necessary. It felt like healing.


In February, I had an incredibly vivid dream. I’m always a vivid dreamer, but this dream stood out. I found myself in an escape room, entering through the back door. Inside, I could hear others behind adjacent doors laughing and enjoying their escape rooms. I went into a room on my own, but every door I opened only led to another and another until, eventually, frustrated, I left. As I walked away, I realised I hadn’t enjoyed the escape room because I didn’t have a guide to lead me through it. Everyone else had someone leading them through the clues, but I had entered alone, without help.

The dream stuck with me for weeks. Eventually, I realised it was telling me something about the process of writing my memoir and confronting my past. Each door was trauma, something from my past, and each door opened onto another. The dream showed me I could stop whenever I wanted. I could pause, slow down, or even step away entirely.


Then March came.

It was transformative, chaotic, and deeply clarifying. Examining my past forced me to examine everything else—my present, my future, my relationships.

Early in March, I had a deeply personal realisation about myself. It’s not something I’m ready to fully share yet, but it was significant, something I’d avoided facing for a long time, something I no longer wanted to hide from or feel ashamed about.

This realisation opened another door: the end of a decades-long friendship.

Behind that was another door I’d padlocked and ignored—my marriage. Facing that meant ending my 14-year relationship.

Finally, one last door that had already begun creaking open was my workplace. I’d started the year experiencing panic attacks at work. Complaint handling is already intense, but when combined with poor management, it becomes overwhelming.

A few days after ending my marriage, I also quit my job.

In one month, I redefined who I was. I ended significant relationships, left a stressful job, and confronted deeply held truths about myself. Through all of it, I kept coming back to that escape room dream, realising that I wasn’t helpless.

The doors weren’t just opening themselves.

I realised I was kicking them down.

And I didn’t need a guide, because I realised I was the guide.

I decided which doors to open, which to close, and which to padlock.

The truth is, I needed to open every single door. I had to see what was inside, catalogue it, organise it, and sometimes discard the content. I refused to keep living with hallways full of doors hiding things I was too scared to face.

I’m still living with my ex-husband, co-parenting our cats and saving money in expensive Sydney. I have a new job—still complaints handling, but less likely to trigger panic attacks. I’ve come to better terms with who I am. I’ve embraced it. I feel free.

So, when people ask, “Are you still working on your memoir?” I laugh. Yes, I am.
I still want to publish by year’s end.

But as a friend reminded me recently, sometimes you have to live before you can write about it later.


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📣 Magic, Memoirs, and My Dorothy Moment

Brittany Brown, smiling in a Dorothy costume, holds her orange and white cat Max in a basket for a Wizard of Oz-inspired portrait.
Brittany Brown beams as Dorothy with Max as Toto, celebrating joy and self-love in this portrait by Boris Frantskevich.

About a month ago, I blogged about my lifelong connection to The Wizard of Oz. It’s something that’s been with me since childhood, and I shared a post reflecting on that and where I’m at in life after some significant changes. Since the start of this year, I’d been dreaming about doing a Wizard of Oz-inspired photo shoot, with me as Dorothy and my cat Max as Toto.

The Midnight Scroll That Changed Everything

I didn’t expect that idea to come to life so quickly.

I posted the blog on April 13. Two nights later, on April 15, I was up in the middle of the night (as I often am), scrolling Instagram, when I saw an ad from a photographer offering unique medieval and fantasy photo shoots. At first, I sent the link to two friends who are into that vibe, but then I took a second look.

The photographer, Boris Frantskevich, had these stunning photos of women portrayed as queens: powerful, ethereal, radiant. Something clicked. I wanted that, too. I checked out his website and saw that he also did fantasy shoots, and suddenly it hit me: this could be my Dorothy moment. I’d wanted to take professional author photos for my website and brand. I wondered if he’d also be into my Wizard of Oz idea.

I followed him on Instagram, and even though it was 6 a.m., he followed me back almost immediately. That felt like a sign. I messaged him and pitched both ideas: the author shoot and the Dorothy shoot, and he was instantly in.

Brittany Brown, Black memoirist and author, holding a mechanical heart model and surrounded by books, in a dramatic portrait by Boris Frantskevich.
Brittany Brown channels her “Extraordinary Machine” motif, holding a steampunk-inspired heart in this striking author photo by Boris Frantskevich.

Becoming Dorothy (and Bringing Max)

Everything moved fast. Boris came back with beautifully detailed concepts for both shoots. For the author shoot, I envisioned myself as a sort of “queen of writing” sitting on a throne of books. For the Dorothy shoot, I wanted exactly what I’d imagined earlier this year: me, a Black, plus-size, middle-aged Dorothy with dreadlocks, and Max as Toto.

Boris honoured both visions so beautifully. He clearly did his homework for the author shoot, where I gave him less direction. He referenced the mechanical heart motif from my website and even incorporated the cover of Extraordinary Machine into the photos. I cried multiple times throughout the process, overwhelmed by how much thought and care he put into making my ideas real. I couldn’t believe I’d stumbled onto such a kindred creative spirit.

Things continued to come together like magic. I’d pulled my Dorothy costume together quickly, but I didn’t have a picnic basket, and didn’t want to spend $130 on a prop I’d never use again. So I posted in my local Facebook group, asking if anyone had one I could borrow. Within minutes, a woman replied; she not only had a basket that could fit a cat, but it had blue gingham lining. Perfect. It felt like the universe was conspiring with me.

Brittany Brown as Dorothy in a blue gingham dress, holding her cat Max as Toto in a basket, in a Wizard of Oz-themed photo shoot by Boris Frantskevich.
Brittany Brown and Max the cat recreate Dorothy and Toto in this joyful Wizard of Oz tribute, photographed in Sydney by Boris Frantskevich.

The shoot happened on April 26 and was a dream come true. To see my vision brought to life in such a gorgeous, tangible way- I’ll cherish these photos forever.

I remember journaling earlier this year about wanting to do the Dorothy and Toto shoot “once I lost more weight.” But when I met Boris and everything started falling into place, I stopped waiting. I didn’t care that I wasn’t at my “ideal” size.

What mattered was capturing this moment, this chapter of my life, where I’m walking through seismic change, headed toward my rainbow (rainbow symbolism has been everywhere lately, but that’s another story). The point is, when I saw the finished photos, I didn’t care about my weight. I looked at myself and thought, I look beautiful.

No, I’m not a size zero. I have never been and probably never will be. I still have psoriasis on my legs from stress this year (thankfully, Boris did edit that out!). But my body is my body. It fills the frame with presence. If I were 20 kilos lighter, the photos would still look good. But there’s a particular power in how I show up in these photos now.

Brittany Brown, laughing in a Dorothy costume, cradles her cat Max in a candid, joyful moment from her Wizard of Oz photo shoot.
Candid joy: Brittany Brown laughs with her cat Max as Toto in this behind-the-scenes Wizard of Oz moment by Boris Frantskevich.

I’m so proud of what Boris and I created. Max was slightly less thrilled to be photographed in a stranger’s home, but he did his best.

This photoshoot also reflects the energy around my creative work lately, especially my memoirs. Things just flow. And when they do, I know I’m on the right path—the yellow brick road, so to speak.


Want to Work With Boris?

If you’re in Sydney and looking for a photographer, I highly recommend Boris Frantskevich.

He’s professional, creative, collaborative, and genuinely excited about his work. His prices are fair, and I have a special referral code if you’re interested.


Special Thanks: My Makeup Artist, Elvy ❤️

Makeup artist Elvy applies makeup to Brittany Brown, a Black author, as her orange-and-white cat Max sits in her lap during a professional photo shoot prep.
Makeup artist Elvy preps Brittany Brown for her Wizard of Oz photo shoot, with Max the cat supervising.

I have to give a huge shoutout to my makeup artist, Elvy, who truly made the magic happen behind the scenes.

She created a natural look (as directed by Boris) that enhanced my features and made me feel beautiful and confident in front of the camera.

Elvy is not only incredibly skilled, but also warm, sweet, and genuinely lovely to work with (I knew we’d get along when she immediately put on Beyoncé’s “Renaissance” and started singing and dancing with me!).

And, because it needs to be said: as a Black woman, getting my makeup done can sometimes feel risky; will they have the right shades? Will I look washed out? But Elvy had the perfect colours for my skin, blended everything flawlessly, and treated me with so much care and respect. I can’t recommend her highly enough.

Thank you, Elvy, for helping me feel like the best, most radiant version of myself!


Without further ado, here’s the gallery from my shoot with Boris:

And yes, I already have more shoots in mind. I haven’t deluded myself into thinking I’m a model now. Still, I know this: I love expressing myself in this new medium. It’s creative, it’s fun, it’s very me.

It means everything to represent myself and my brand in a way that feels professional, personal, and fully mine.

I’m just a girl, not from Kansas but from Sacramento, who dreamed of life in Technicolour.

And now I’m living in it.


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📣 “Extraordinary Machine”: The Heart, The Art, The Reveal

Black book cover mock-up with a large cream question mark and the title “Extraordinary Machine Cover Reveal”
This is just a teaser…but keep reading to see the real cover of Extraordinary Machine!

The Big (Stupid?) Idea: Do It All Myself

When I first started writing my memoir, I had this brilliant stupid idea: I was going to do everything myself. Yes, including the book cover.

I figured—why not? I had some basic Photoshop skills, a decent eye for design, and a working knowledge of Canva thanks to my Sims modding days. So I turned to AI and generated an image for the cover of Extraordinary Machine.

It wasn’t great.


Garbled Text and a Messy Heart

Mockup of book cover for Extraordinary Machine: A Memoir of Trauma and Resilience by Brittany Brown featuring a mechanical heart with gears, surrounded by flowers and greenery.
The original AI mockup of my concept for the Extraordinary Machine book cover.

While I loved the floral aesthetic and the concept: a mechanical heart surrounded by gears, the final image looked messy. And AI, at the time, wasn’t great at rendering readable text; it has actually improved in the months since then.

I spent two hours in Canva trying to make it work. But eventually, I had to face the truth: this wasn’t my lane. My lane is storytelling. I needed help from someone with artistic talent.


Finding Help: Enter Reedsy (and Avoiding Fiverr Fails)

I discovered Reedsy, a platform that connects writers with freelance professionals, including cover designers, editors, audiobook narrators, and more. The process is simple:

  • Write a pitch for your book
  • Choose five professionals whose work speaks to you
  • Wait and hope that at least one replies, fits your budget, and vibes with your vision

I also checked out Fiverr, but it was a no for me. While there are some legit artists on there, it’s also flooded with scammers and Canva bandits passing off stolen work. I literally saw someone using a Toni Morrison cover in their portfolio. Absolutely not.


Love at First Scroll: Finding Nick Low

Watercolor painting by Nick Low featuring a joyful Black woman in patterned clothing on a bicycle, set against a vibrant black-and-white geometric background
Artwork by Nick Low for YEVU Clothing’s 2021 fundraising campaign supporting LGBT+ Rights Ghana. Inspired by the photography of Joseph Abbey-Mensah.

On Reedsy, I found five artists I liked—but one stood out immediately. Nick Low, an American expat living in Sydney, just like me.

His art was stunning: vibrant, emotional, and rich with depictions of Black women and joy.

I hadn’t thought about it consciously before picking an illustrator. Still, I realised in that moment that it was meaningful to collaborate with a fellow person of colour on something as personal as my memoir about my life.

And I realised that even if Nick didn’t take the job, I still thought that I’d love to buy his artwork and hang it in my apartment.

I sent him my pitch. He replied within a few hours. He got it—all of it. The heart of the story, the symbolism of the mechanical heart, and the shared experience of being people of colour in Australia. His price was fair, and his energy was warm. Still, I did my due diligence and waited to hear from others.

Only one other artist from Reedsy replied and immediately talked down to me. While I was transparent about this being my first book, he was oddly condescending and treated me as if I were an idiot.

Nick, on the other hand, treated me like a creative equal.


Collaboration Magic: Building the Cover

Saying yes to Nick was one of the best decisions I’ve made so far on this self-publishing journey.

He was patient, kind, and intuitive. He never once made me feel foolish or inexperienced. We worked collaboratively; he created the initial mockups, and from there, we refined the design together through several iterations.

And then… the final version arrived.

I cried.


Why This Cover Means So Much

Writing Extraordinary Machine has been a painful, healing, raw, and empowering experience. It’s a memoir about my trauma, my mother, my Nana, and my becoming. There have been days when I’ve questioned everything, as recently as this weekend.

But one thing that has kept me going is the image in my head: me, holding this book in my hands.

That image got me through the hard chapters. And now, thanks to Nick’s incredible talent, that image is real.


Meet the Artist

Nick Low is a brilliant painter and illustrator!

Please support him and follow his work on Instagram at @NickLowPaints, visit his website here, or explore his Reedsy profile if you’re a creative looking for stunning artwork.

I can’t wait to fill my apartment with some of his art.


The Reveal: Extraordinary Machine Cover

Book cover of Extraordinary Machine by Brittany Brown, featuring a vibrant mechanical heart illustration on a dark green background
The official cover of Extraordinary Machine: A Memoir of Trauma and Resilience by Brittany Brown. Illustrated by Nick Low.

Final Thoughts: Let Yourself Be Helped

To my fellow writers, artists, and stubborn DIY-ers: you don’t have to do it all alone (I wrote more about this here: DIY vs. Outsourcing: What I’m Doing Myself for My Memoir (and What I’m Not)). Let those who are brilliant in their respective fields do their thing. You’ll end up with something better than you ever imagined, and you’ll make meaningful connections along the way.

This book is my heart. And now, it has a face.


Want to Follow the Journey?

Extraordinary Machine is still in progress—but the heart is beating and the story is coming to life.

If you want a front-row seat to the writing process, behind-the-scenes sneak peeks, or just want to cheer me on as I build this dream:

Follow me on Instagram and Threads at @brittanybrownwrites

Let’s make something extraordinary—together. 💛


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